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8-bit Versus 16-bit in Photoshop (or How I learned to stop worrying and love pictures with smooth skies)

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The first in a continuing series published at Big Swing called Zen Photoshop

So, what’s the difference between working with an 8-bit image and a 16-bit image? Short answer: a lot of color.

Most articles about 8- and 16-bit imagery begin by explaining what a bit is, what bit depth is, and what you get when you add up all the numbers.

Well, I can hardly keep my eyes open reading the technical stuff. I’m an artist, not a mathematician. Let’s leave the mechanics to the engineers, and focus our attention on how a basic understanding of bit depth can enhance your aesthetic vision and potentially speed your workflow.

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Upcoming at the Santa Fe Photographic Workshops

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Mastering Photoshop: Retouching, Compositing, and Masking February 21 - February 27, 2010

For more information or to register by phone, call the Santa Fe Photographic Workshops at (505) 983-1400, ext. 11. → Register online

From the Course Catalog: Designed for photographers and artists who have hands-on experience with Photoshop, this workshop encourages a deeper understanding of composite, enhancement, and simple photo illustration techniques.

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At the Santa Fe Photographic Workshops

Stephen Yadzinski is teaching Photoshop Retouching and Composite intensive at the Santa Fe Photographic Workshops March 25th - 27th 2009.

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Best of Big Swing

Joel-Peter Witkin Hires Big Swing

We recently started working with photographer Joel-Peter Witkin.

Some of Joel’s new images require basic composite work, and we are frankly honored that he’s chosen to work with Big Swing.

Feathering a selection using Photoshop CS3 (and why the Refine Edge dialogue box is cool…)

Since the release of Photoshop CS3, I’ve had several people ask me the same question: Why doesn’t feathering a selection work like it did in CS2?

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