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8-bit Versus 16-bit in Photoshop (or How I learned to stop worrying and love pictures with smooth skies)
The first in a continuing series published at Big Swing called Zen Photoshop
So, what’s the difference between working with an 8-bit image and a 16-bit image? Short answer: a lot of color.
Most articles about 8- and 16-bit imagery begin by explaining what a bit is, what bit depth is, and what you get when you add up all the numbers.
Well, I can hardly keep my eyes open reading the technical stuff. I’m an artist, not a mathematician. Let’s leave the mechanics to the engineers, and focus our attention on how a basic understanding of bit depth can enhance your aesthetic vision and potentially speed your workflow.
Upcoming at the Santa Fe Photographic Workshops
Mastering Photoshop: Retouching, Compositing, and Masking February 21 - February 27, 2010
For more information or to register by phone, call the Santa Fe Photographic Workshops at (505) 983-1400, ext. 11. → Register online
From the Course Catalog: Designed for photographers and artists who have hands-on experience with Photoshop, this workshop encourages a deeper understanding of composite, enhancement, and simple photo illustration techniques.
At the Santa Fe Photographic Workshops
Stephen Yadzinski is teaching Photoshop Retouching and Composite intensive at the Santa Fe Photographic Workshops March 25th - 27th 2009.
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Best of Big Swing
Joel-Peter Witkin Hires Big Swing
We recently started working with photographer Joel-Peter Witkin.
Some of Joel’s new images require basic composite work, and we are frankly honored that he’s chosen to work with Big Swing.
Feathering a selection using Photoshop CS3 (and why the Refine Edge dialogue box is cool…)
Since the release of Photoshop CS3, I’ve had several people ask me the same question: Why doesn’t feathering a selection work like it did in CS2?
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